Paul G Newton

I don’t just shoot stories.

I build them.

Dangerous Road isn’t just a street — it’s a story told in fragments of fear and memory. Edited for tension, empathy, and broadcast pacing, this package holds the viewer just long enough to make them feel the weight of it.

B-roll and motion graphics cut to a defiant monologue about strength, discipline, and taking what's yours.

The Work

Projects that land.

Moments that stay.

A cinematic commercial for Explore Scientific. Cut to evoke memory, curiosity, and the quiet awe of discovery — with a child, a telescope, and a sky full of meaning.

Remorse aired as SKY TV’s Best Video of the Week. It’s earned seven awards and screened at over 20 festivals worldwide.
I wrote it, shot it, scored it, and cut it.

If you're looking for someone who can bring the entire vision to life — this is what that looks like.

A warm, testimonial-driven piece shot at golden hour. Edited to highlight trust, experience, and the quiet certainty of gear that works.

Studio meets field in this promo for the Star App 114. Shot on RED + DSLR. Clean, confident, and built to sell.

Stories don’t need polish. They need truth, sound, motion—and someone who gives a damn.

  • I make things move—with a punch. I’ve edited Emmy-winning promos, festival darlings, and commercials that made the phones ring. What I shoot, I shape. What I shape, I sharpen.

  • I don’t “do music.” I build atmosphere.
    Footsteps in gravel. Static under threat. Echoes in empty rooms.
    If you felt it in your gut, it was mine.

  • You’ve got the parts. You’ve got the budget. But it’s not working.
    I find the spine, snap it into place, and make it move.
    I’ve saved more bad ideas than I’ve had good nights' sleep.