As you know, I love filmmaking. The one thing that always brings a smile to my face is when a project is finished, and the world gets to see. Just the other day, I worked on a film set with one of the most exciting filmmakers in NWA Joseph Hitchcock on a project that has taken six years to finish principal photography.

Yes, you read that right, Six Years.

For me, that is an insanely long time. I tend to get my projects done in record time. It works for me, and I consistently win awards for my films. But not everyone who makes films does it this way. Sometimes, for an artist to really get what they want, it takes forever. It isn't a good thing or a bad thing, it is just how they operate.

No, he is not related to Alfred, but I do share the same birthday as the heralded filmmaker of classics such as "North by Northwest) .

Many years ago, Hitchcock asked me to film an action sequence for him. It was in a parking garage somewhere in Fayetteville, and I was more than excited to do it. Remember, I think this stuff is super fun and would do it all day for free if I didn't have bills to pay. He had some shots he wanted to get, and I talked him into getting some extra stuff that I thought would be super interesting. The shoot ended and I thought that was the end of it. I looked and stalked his online profiles for about a year, hoping to see the final product, It never appeared.

Oh well, I thought, such is filmmaking. Maybe it wasn't any good, or perhaps the other shots were so different from what I shot that it blew up the entire project. This is something that happens when you have several different shooters on a film. One may be conservative with their shots, and another is super aggressive, causing the film to look disjointed and hard to watch.

Turns out, that wasn't the case with this film (called The Tech Files), it was more of a matter of not having the time to do it, I would suppose. In fact, Hitchcock just got back from Eastern Europe where he has been living for the past year or more, and before that, he was living in L.A. while he was touring the country for his music career. He just did not have the time and opportunity to finish the dang thing.

As always, there were significant hiccups with the production. The warehouse that was scheduled for shooting canceled. I hate that. Hitchcock was scrambling hard to find a warehouse to shoot in with only hours to spare. We brainstormed for a while and came up with a couple of solutions. Finally settling on a place called "Free Geek." The lady who runs the place is pretty nice, she let us use the warehouse without any restrictions.

For those of you that don't know, Free Geek is a non-profit that recycles old electronics. If you have a bunch of hardware left over from dead or dying computers, printers or whatever, that's the place to take them rather than throwing them away. If they can refurbish them, they do. If they are just dead, they break them down into parts and send them to the appropriate places rather than just the landfill.

Plus, if you need something, they probably have it at a price that's much less than new. They also help out the community when technology is, but there are few funds to pay for it. The non-profit I run, Arts and Entertainment Council, get stuff from there every now and again.

Needless to say, we shot some pretty exciting stuff. I am eager (once again) to see the final product.

On that note, I do have a few projects of my own coming down the pipe. I am holding the first rehearsal or table read for a three page short about a Queen who has finally captured the leader of the resistance. This should be interesting, and honestly, it comes right before the giant fight scene that would typically be there.

The other project of consequence is Three "twenty-somethings" who find themselves being hunted by the most dangerous supernatural monsters imaginable only to find that the supernatural is also what can save them as well as gain a great friend. Yeah, I am still working on that logline.