I love making films. If you didn’t know that already, well, now you do. Sometimes we have a fleshed-out script, and sometimes we don’t. The real fun of making films sometimes comes from not knowing what I am going to film and figuring it out as we go. I know that sounds dumb, but it always seems to work out.
This last weekend, we did exactly that. We had outlined a few scenes and practiced some stunts with the actors. It worked out alright; it was one of those times when working on a wing and a prayer just felt right.
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I actually sat down to write a ten page short that I could fund and shoot myself (by fun I meant it actually doesn’t cost anything other than time), I knew what I wanted, I knew what I needed to get there. Yet, I still held fast to the burnt in rules of screenwriting. I didn’t mean to, but I did it anyway. Like I say in my podcast all the time, I plotted it out, found the turns and went in for the kill, but ten pages just isn’t enough time.
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This episode of the podcast is to help anyone understand just one of the many devices that are necessary to create a good screenplay, book or any story.
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New podcast from me! Listen and subscribe.
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I do have to applaud the movie for trying to stay true to its roots in the 1970's, 1980's motif that the first one had with its cheesy subtitles and crummy music but even that left me rolling my eyes because of the recent phenomena of the Netflix Stranger Things. It actually cheapened it for me because I hate pandering, especially in film where the movie has to hold its own for the sake of itself. Even though, I must admit that no movie seems to do that these days. A practice that I believe should still be first and foremost in the minds of the creators of any film yet has seemed to fall out of favor.
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