Paul Newton 9/19/19 Paul Newton 9/19/19

Making short films always seems to turn into something bigger.

I love making films. If you didn’t know that already, well, now you do. Sometimes we have a fleshed-out script, and sometimes we don’t. The real fun of making films sometimes comes from not knowing what I am going to film and figuring it out as we go. I know that sounds dumb, but it always seems to work out.

This last weekend, we did exactly that. We had outlined a few scenes and practiced some stunts with the actors. It worked out alright; it was one of those times when working on a wing and a prayer just felt right.

I made a few mistakes along the way, though. I accidentally recorded in SLog3 instead of 2 and damned near lost all of the takes. But I am a guru with Premier Pro and got most of it back. It took a little doing and a lot of noise reduction, but I think the footage is salvageable.

We did lose an actor along the way (a common occurrence), so I got to kill my screenwriter. Ok, no he’s not dead but its the only part that he can really nail. Yes, that’s a joke but not far from the truth. I am sure he will be complaining about me bashing him tomorrow. Screenwriters have thin skin sometimes.

The short film I am working on is supposed to be a scary, art/horror piece that is meant to drive tension in the viewer. Through the use of heavy sound effects and long, arduous takes, the stillness of the film is intended to bring dread and dark suspense to the viewer. Maybe I am accomplishing that, and perhaps I am not. Only the final product will tell.

I’m trying to schedule a re-shoot for a couple of shots. All I can do is hope the weather holds out and they show back up. No one is getting paid for this and, if anything, it just costs me money. So I understand why people would not want to spend bucks to work for free. The thing is; to be a working actor, you must work for free and build that reel. Because, if you don’t have a reel, you aren’t getting any work.

And Honestly, that’s part of the reason I am shooting this on my own dime. That and I really love making films.

Paul Newton 3/13/19 Paul Newton 3/13/19

I accidentally wrote a movie.

I actually sat down to write a ten page short that I could fund and shoot myself (by fun I meant it actually doesn’t cost anything other than time), I knew what I wanted, I knew what I needed to get there. Yet, I still held fast to the burnt in rules of screenwriting. I didn’t mean to, but I did it anyway. Like I say in my podcast all the time, I plotted it out, found the turns and went in for the kill, but ten pages just isn’t enough time.

Writing is hard. Just ask anyone who has tried to write something that is somewhat coherent and actually has a story that makes sense. There are so many rules, regulations that you have to follow as well as being creative at the same time. For me, I have always found it hard to get too far past the first act and into the “fun and games,” (as Blake Snyder calls it) portion of any script. Today, however, was the exception.

I actually sat down to write a ten page short that I could fund and shoot myself (by fun I meant it actually doesn’t cost anything other than time), I knew what I wanted, I knew what I needed to get there. Yet, I still held fast to the baked in rules of screenwriting. I didn’t mean to, but I did it anyway. Like I say in my podcast all the time, I plotted it out, found the turns and went in for the kill, but ten pages just isn’t enough time.

I got to the point I wanted to make, I set up the relationship of the main character with her boyfriend, I introduced the characters for the “B” story and gave the boyfriend more time to tell his story so his role could grow. Then came the mentor. The mentor is the Obi-Wan Kenobi character that teaches our main protagonist how to navigate the world and the tools they will need to defeat the Dark Night of the Soul. Then I thought, wait… How many pages is this? I looked, and I was on page 14. CRAP!

See; usually, a screenplay needs to have the first ten pages for setup and the turn into the second act, give or take. The reason for the ten pages is mostly due to the script readers at the studios only giving you ten pages to hook them. The mentor comes in just before that, and you should have a visit from every character so we can see just where they are starting out in the world, set the rules of the world and a couple of other things, things the audience needs to know.

After looking up and seeing my page count, I realized that I had accidentally hit every beat of a FIRST ACT. I completely missed my target of getting to all the beats needed to make a sound, readable story in ten pages. Heck, the mentor for the story was even introduced on page eight, and the turn into act two was expressed. DANG IT! I didn’t mean to do that.

Accepting my fate, I went ahead and thought about the next things that needed to be done. Fun and Games, Dark Night of the Soul, and the Finale. The damn thing is, I hit them all and more. The “B” stories come to fruition right at the page they should, they team up and war against the Antagonist at just the right time and find that one of the “B” story characters is the key to defeating the bad guy. I didn’t set out to make this a movie but damn it...

Why am I mad about this, you may ask. Well, I need a short film to shoot not ANOTHER screenplay to finish. I have about fifty already. But this one is way ahead of the game. The only downfall of this screenplay is that it is more of a Rom-Com than anything else. I’ve never attempted one of these before, and I am not sure it is a good enough story to actually spend all the time it takes to write.

I guess I’ll keep pluggin along. Maybe it will turn into something interesting a draft or two into it.

Paul Newton 3/10/19 Paul Newton 3/10/19

New Podcast now available

This episode of the podcast is to help anyone understand just one of the many devices that are necessary to create a good screenplay, book or any story.

The Dark Night of the Soul is an integral part of any good story. To write a good story the Dark Night of the Soul isn't just a device used by a character to get where they are going, and it is the reason they get there.

This episode of the podcast is to help anyone understand just one of the many devices that are necessary to create a good screenplay, book or any story.

Paul Newton 3/6/19 Paul Newton 3/6/19

New podcast!

New podcast from me! Listen and subscribe.

As of today, I have a new podcast available on Apple podcasts called “Aul G Newton on Everything”. Go to the podcast app on your apple device or visit the page or go to the page if you don’t have an Apple device or use iTunes.

https://www.paulgnewton.com/paulgnewton-on-everything

Paul Newton 3/2/16 Paul Newton 3/2/16

Review of Thor Ragnarok

I do have to applaud the movie for trying to stay true to its roots in the 1970's, 1980's motif that the first one had with its cheesy subtitles and crummy music but even that left me rolling my eyes because of the recent phenomena of the Netflix Stranger Things. It actually cheapened it for me because I hate pandering, especially in film where the movie has to hold its own for the sake of itself. Even though, I must admit that no movie seems to do that these days. A practice that I believe should still be first and foremost in the minds of the creators of any film yet has seemed to fall out of favor.

I finally gave in and went to see the heralded Thor Ragnarok last night. I did not want to see it, really, but many of the screenwriting podcasts I have been listening to, like The Curious about Screenwriting Podcast, seem to love the story. While I felt it had some relative fun aspects to the movie, I did not feel that it left me wanting to see more or other films.

The story structure seems sound, its flow was not interrupted with randomness or unnecessary scenes that failed to complete the mission of furthering the story. It did have redeeming character traits that made the characters somewhat likable and, on the first watch, the story seemed succinct. That did not spur my imagination and left me with a feeling of emptiness when leaving the theater. It was not a bad movie, and it did everything right in the way that movies are doing them today, but it didn't do what I want a movie to do and create a lasting impression upon my psyche that I can carry with me on my travels through my own life.

I do have to applaud the movie for trying to stay true to its roots in the 1970s, 1980's motif that the first one had with its cheesy subtitles and crummy music but even that left me rolling my eyes because of the recent phenomena of the Netflix Stranger Things. It actually cheapened it for me because I hate pandering, especially in a film where the movie has to hold its own for the sake of itself. Even though, I must admit that no movie seems to do that these days. A practice that I believe should still be first and foremost in the minds of the creators of any film yet has seemed to fall out of favor.

The film opens with Thor being trapped by a Devil looking creature that makes no literal sense to anyone like myself... but there is a reason for the creature as it is blatantly and needed for the movie to have an ending. Unfortunately for this film, I knew exactly what this character's purpose was at about three minutes in. Ultimately telling me the conclusion of the movie and leaving no suspense or tension to make me WANT to keep watching. Then it did it again and again... Every new character that was introduced strengthened my guess and eventually left me with two hours of my time taken from me while draining my pockets of the money it took to purchase the ticket. At the end of the film, I found myself ultimately disappointed in the plot and story because at no point did anything task my senses or make me second guess the ending that was already completed in my mind. In fact, the only other movie that was more blatant about its end at the very beginning was a terrible film that had so much potential but the worst story ever called "The Others" starring Nichole Kidman. This movie is about a mother and her children who are haunted by ghosts, but it turns out that they are actually the ghosts. Something that was very thinly veiled at the beginning leaving nothing to the imagination and thus ruining the story.

One thing that immediately set off my alarms is when Thor losses his hammer just shortly after his father dies. The only recourse for the character is to take the throne from the bad, bad lady in the Maleficent outfit and kill her with the thing holding Thor prisoner at the beginning of the movie. I mean they didn't even try. The fact that her horns and the horns of what could be mistaken as the devil from "Pick of Destiny" look exactly the same are just some of the dead giveaways. Needless to say, any entertainment value from this movie could only come from the crude and silly jokes, insider trading of the Avengers prior films and fighting. None of which actually advance the story or make any sort of coherent point that might stimulate anyone other than fanboys who would watch any Marvel movie with exuberance just because it is a Marvel movie, regardless of its content or quality.

I tried to enjoy the movie, I honestly did. The laments of Thor as he tries to be cool but just isn't are humorous and usually might make him more human but fail miserably and only serve to throw us out of the film and remind us that we are in a theater and not somewhere else. Then there is the CGI. It is supposed to be, but it looks horrendous. None of the places looked real to me at any point other than the short scene on earth where they are talking to their father. Everything else was half baked and cheap. I know what it takes to make stuff in computer land look real and have done it myself, and I assure you, it could have been done much better for an extra couple of hours worth of work. Not only do the locations look very fake and seem to make us want to believe that outer space exists in the land of Roger Rabbit all of the animated characters look equally bad. At no point did I ever believe Hulk was in the same room as Thor and not just some cartoon skillfully drawn but poorly colored.

I would say this movie is worth a watch on Netflix or Amazon Prime, but that is about as far as I would go. It isn't a terrible movie, but it's not that great either. Films should challenge us, make us want to be right next to the character on the screen and endear themselves into our psyche when we are done watching them. Genuine cinematic gold must contain something of lasting value that stays with you. Thor, Ragnarok doesn't even come close to doing this on any level, and it is a waste of time. If you want pure entertainment for the sake of entertainment, watch something else because this doesn't even accomplish that. Terminator 2 is better at just tantalizing your brain, probably because it's endearing and leaves you different than you were before you saw it the first time. Something this movie and most of its contemporaries fail to do.